This beautiful Polish theatre poster was designed by Jan Mlodozeniec in 1964 to promote the premiere of the play ‘Alleluja’ at the National Theatre in Warsaw.

Polish B1 size: 67 x 97.5 cm

Polish Theatre poster designed in 1966 by Jan Mlodozeniec for Tadeusz Baird’s play ‘Tomorrow’ (Jutro).

Polish B1 size: 67.5 x 97.5 cm 

Absolutely no words for this iconic Polish poster by Jan Mlodozeniec. He designed it in 1976 to promote the release of an American hit directed by Michael Crichton, Westworld (Swiat Dzikiego Zachodu).

Polish A1 size: 58 x 83.5 cm

It was love at first sight when we came across a series of original paintings from the 1990s by Jan Mlodozeniec. We are absolutely delighted to have been given permission to reproduce them by his son Piotr Mlodozeniec.

Jan Mlodozeniec was a masterly painter with a superb eye for colour. We adore his bold, playful style which is bursting with soulful charm.

The pair of prints in this series are ‘Still Life’ and ‘Bistrot Fran’.

They are giclee printed to the highest quality on beautiful Hahnemühle German Etching 310gsm fine art paper here in the UK and available in two sizes.

This is ‘Bistrot Fran’.

A4 Size: 210 x 297 mm

A3 size: 297 x 420 mm

It was love at first sight when we came across a series of original paintings from the 1990s by Jan Mlodozeniec. We are absolutely delighted to have been given permission to reproduce them by his son Piotr Mlodozeniec.

Jan Mlodozeniec was a masterly painter with a superb eye for colour. We adore his bold, playful style which is bursting with soulful charm.

The pair of prints in this series are ‘Still Life’ and ‘Bistrot Fran’.

They are giclee printed to the highest quality on beautiful Hahnemühle German Etching 310gsm fine art paper here in the UK and available in two sizes.

This is ‘Still Life’.

A4 size: 210 x 297 mm

A3 size: 297 x 420 mm

Have you ever seen Barbarella look hotter than here in this 1970 poster designed by colour genius Jan Mlodozeniec? We absolutely adore this vintage Polish poster design for the iconic movie directed by Roger Vadim and starring Jane Fonda.

This is a limited edition reprint of the original film poster, offset printed in Poland with kind permission from Jan Mlodozeniec’s family.

Polish B2 size: 48 x 68 cm

Condition: please note there is a little bit of (black) ink run visible on this design from the printing process.

Heavenly Bodies is a Polish film poster for the eighties Canadian drama about aerobics (love that!), originally designed by the master of colour Jan Mlodozeniec in 1986. We’re super proud to have printed a limited edition run of 500 lithographs of this very special poster with kind permission from Mlodozeniec’ famliy. It’s just so joyful.

This vintage Polish poster design has been lovingly litho printed on beautiful matte GF Smith paper Munken Pure Rough 170gsm here in the UK.

B2 size: 49 x 69 cm

Mystic Pizza by Jan Mlodozeniec, 1990

We are super proud to have produced this official Projekt 26 limited edition B2 reprint (c.200), which was printed in Poland with kind permission from Jan Mlodozeniec’s family.

Warm your heart and your home with this wonderful Polish poster designed by Jan Mlodozeniec in 1990 for the eighties film classic ‘Mystic Pizza’ starring Julia Roberts and Matt Damon when they were young and unknown.

Polish B2 size: 48 x 68 cm

Jan Mlodozeniec designed this original 1979 poster for Polish war movie ‘Droga Daleka Przed Nami’ (A Long Journey Ahead of US) directed by Wladyslaw Slesicki . It’s a beautiful and sensitive mix of illustration in a paired back version of Jan Mlodozeniec’s signature style with a much starker monochrome background.

Polish B1 size: 67 x 96.5 cm

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

What great colours in this playful original Polish poster by one of our faves Jan Mlodozeniec. He designed it for Norwegian comedy romance ‘Den Siste Fleksnes’.

EXCITING ANNOUNCEMENT: We have two size options for this poster!

Polish A1 size: 58.5 x 84 cm approx

Polish Smaller size: 40 x 57 cm

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

We adore this fabulous vintage Polish poster by Jan Mlodozeniec. It’s from 1981 Polish release of a Czechoslovakian film ‘Ryn, the Little Wild Horse’.

Polish B1 Size: 67 x 97.5 cm

Super charming original vintage Polish poster by Jan Mlodozeniec, designed and printed in 1985.

Polish B1 size: 68 x 98 cm approx

Condition: please note this poster has been previously folded.

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

This is a really cute example of Jan Mlodozeniec’s later bold graphic style. It’s an original vintage Polish poster from 1985, designed by Mlodozeniec for a Polish film ‘Kobieta w Kapeluszu’ (Woman in a Hat).

Polish B1 size: 67 x 96 cm

Circulation: 6850

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

The colours on this original 1976 Polish poster by Jan Mlodozeniec are just so rich and gorgeous. He designed it for ‘Le orme’ an Italian movie directed by Luigi Bazzoni. This copy is in perfect condition as we were lucky enough to find it through a man who’s father in law had been a distribution driver for a print works and rescued it when the place shut down.

Polish A1 size: 58 x 84 cm approx

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

Mlodozeniec was one of the Polish School of Posters great artists. He really embraced the pop art style and adapted it to his own unique style. This brilliant original 1976 Polish poster was designed for the US movie directed by Dick Richards. It is pristine condition.

Polish A1 size: 57.5 x 81.5cm

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

We have got ALL the good feels for this fantastic vintage Polish poster by Jan Mlodozeniec in 1974. It’s in perfect condition, as if fresh off the printing press, due to finding it in a collection which had been rescued from a print works. It was designed for an Italian film ‘Peppino Podbija Ameryke’ (L’emigrante). It was internationally released as ‘Little Funny Guy’. It’s not unusual for the title on a Polish poster to bear little resemblance to the original - it’s as if it’s gone through a round of Chinese whispers!

Polish A1 size: 58 x 82.5 cm

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

This is an unbelievably sweet original vintage film poster designed by the legend of Polish posters Jan Mlodozeniec. He designed this beauty in 1970 for the Polish film ‘Romantyczni’ (Romantic People).

Polish A1 size: 58 x 84 cm

We have so much love for this charming poster by Mlodozeniec for French 1974 comedy ‘La Moutarde Me Monte Au Nez’ (Diabli mnie Biora). Directed by Claude Zidi and starring Piere Richard and Jane Birkin.

Polish A1 size: 58 x 84 cm

Condition: please note that whilst this poster is in almost perfect condition there is a bit of ink smudging due to the print process.

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

Second edition of the Circus Clown with a Trumpet vintage Polish poster by legend of the Polish School of Posters Jan Mlodozeniec is full of colour, fun and charm.

Polish B1 size: 68 x 98cm approx

This is one of two Polish poster designs by Jan Mlodozeniec for the US movie ‘Heavenly Bodies’ starring Cynthia Dale. Honestly we can’t decide which we love more as they’re both so joyful! This is the perfect throwback to 80’s aerobic heaven!

Polish B1 size: 68 x 98 cm approx

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

This is such a sensational poster by Jan Mlodozeniec “Po Drugiej Stronie Slonca”. The colours are - appropriately for a sci-film - out of this world! It was designed for 1969 sci-fi film Doppelganger (which also later came to be known as Journey to the Far Side of the Sun). Directed by Robert Parrish it starried Ian Hendry alongside Roy Thinnes, Patrick Wymark, Lynn Loring and Loni von Friedl.

Polish A1 size: 58 x 82 cm

Please note: price of future copies may vary depending on condition and availability

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

Here’s yet another wonderful vintage Polish Circus poster was designed in 1975 by Jan Mlodozeniec. This incredible poster of a 'Circus Clown Balancing a Rabbit' is full of beautiful bright colours and charm.

Polish B1 size: 66.5 x 97.5 cm

Condition - please note this copy has been reduced in price due to the crease visible in additional images.

There’s something so insanely charming about this telephone dial design by Jan Mlodozeniec. He designed this original vintage Polish film poster for the Polish film ‘Kardiogram’ in 1971. It was the second of two designs - this one being (in our opinion!) - the far more appealing due to its pared back text and wonderful colours.

Polish A1 size: 58 x 84 cm

This is a great condition original Polish poster from 1977. We love this super cool design by Jan Mlodozeniec for British film classic by Alfred Hitchcock “Frenzy” (Szal).

EXCITING NEWS! 2 sizes currently available:

Polish A1 size: 57 x 82.5 cm

Polish A2 size: 41 x 58 cm

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

This is an absolutely incredible Jan Mlodozeniec poster design. It’s an original vintage theatre poster for a production of Beethoven’s Sonata Belzebuba at the Teatr Atheneum in Warsaw from 1969 and is in such beautiful condition. The bold colours, the matte paper and the offset lithography = pretty close to Polish poster perfection! It had a very small print run of only 1000 which makes this extra special.

Polish A1 size: 58.5 x 85

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

It’s impossible to convey on screen just how incredible this original 1970 Polish poster by Jan Mlodozeniec ‘Wszystko w Ogrodzie’ (Everything in the Garden) is in real life. The colours are so vivid and the offset printing so beautiful, it took our breath away when we first saw it. It’s one of our favourite designs by an artist we are already crazy about, and this copy is in almost perfect condition. Mlodozeniec designed it for the Ateneum theatre production of Wszystko w Ogrodzie (Everything in the Garden) by British playwright Edward Albee.

Polish A1 size: 54 x 83.5 cm

Jan Mlodozeniec

Jan Mlodozeniec was one of the most outstanding artists from 20th century Poland. He was born in Warsaw on November 8th 1929 to a well-to-do peasant family. They were all creative; his dad Stanislaw was a poet and founder of Polish futurism, his mum Wanda was an artist and his own son Piotr is now an accomplished graphic artist.

Jan Mlodozeniec decided to apply to art school on a bit of a whim after serving in the army during the war. He studied under the great master Prof. Henryk Tomaszewski and became one of the most prominent members of the Polish School of Posters.

Mlodozeniec’s painterly style is very distinct; characterised by naive childlike forms, bold lines, strong colour and a sense of humour. He said “I like colour in itself. I see its meaning in the colourful existence against the backdrop of a grey street. I never think twice about using six colours, something that from the point of view of poster canons (sparing means of expression) lowers its value in the eyes of experts”.

All of Mlodozeniec’s letters are painted by hand. He masterfully integrates the typography with the illustrative elements so that they intertwine with each other and work together as one.

Jan Mlodozeniec was very meticulous when designing his posters. He would often create hundreds of iterations for one piece - all in real scale on cardboard (until that became too expensive), and with just tiny changes in each version.

Jan Mlodozeniec was warm, joyful and generous. These qualities shine through in his work and it’s one of the reasons we love him so much.

Over his lifetime he created more than 400 Polish posters; including a wonderful selection of opera posters, theatre posters, film posters, a series of posters for folk shop Cepelia and Polish tourist poster. Alongside this work, he produced numerous book covers, illustrations, and drawings.

Mlodozeniec won many awards for his posters which were exhibited in over 40 solo shows around the world. Jan Mlodozeniec posters are now held in private collections and iconic museums including The Stedeliijk in Amsterdam, Kunstblibliothek in Berlin and the Museum of Modern Art in Toyama.

This promotional vintage Polish poster for Handicraft Co-operative ‘Artes’ was designed in 1972 by Jan Mlodozeniec, who is one of our all time favourite artists from Polish School of Posters.

Polish B1 size: 67 x 97.5 cm

Right You Are, If You Think So (Zeby Wszystko Bylo Jak Nalezy) is a theatre play by Pirandello. This original 1973 Polish theatre poster was designed by the legendary Jan Mlodozeniec in his instantly recognisable colourful, bold graphic style.

Polish A1 size: 58 x 84.5 cm

This is another incredibly special and beautiful vintage theatre poster by Jan Mlodozeniec, in his bold and playful colourful style. This original Polish poster was printed in 1975 for a Warsaw theatre production of ‘Rzeznia’ (Slaughterhouse) by Slawomir Mrozek.

Polish A1 size: 59 x 89cm

VI Exhibition of Children's Illustration at the ZPAP Art Gallery in Warsaw in 1966

Polish B1 size: 66.5 x 96 cm